![]() ![]() On the plaque above, a weaver seated by a two-levelled loom intertwines the fabric, helped by a handmaid. On the lower plaque of the front side, a couple of women seated on thrones make the distaff ready for spinning, shown on the upper plate, whereas, on the lower rear side, other women arrange a bunch of yarn. This sample, exceptionally made from bronze leaves, shows an elaborate embossed decoration. In fact, they have only been discovered in the most lavish sepulchres belonging to the period between the late 8 th and the early 7 th century B.C. They were indeed pieces of females’ jewellery, a sign of the high rank of the wearer. The first archaeologists presumed that tintinnabula were sorts of wind chime ( tintinnum) or assemblage of bells, and that is the reason why they were given that designation. More infoĪ tintinnabulum was a trapezoidal pendant typical of the Etruria in the Po Valley, which was usually moulded in bronze or combinations of bronze and amber. Numerous fibulae, armillae, bronze cloak pins and a few spindle whorls, which proved that this sepulchre was intended for a woman, are no longer identifiable in the collections of the Archaeological Museum either. Only a small, engraved amphora has remained of several terracotta vessels that composed the dinner service. The female’s sepulchre discovered in the Necropolis of the Military Arsenal is better known as the “tomb of the gold jewellery”, due to the presence of precious gold jewelleries, among which there is a pair of braid clips adorned with small human masks and an elegant golden fibula, decorated with fantastic animals, executed with the technique of granulation process ("lavorazione a pulviscolo"), fulfilled by applying golden spherules or granules on the lines drawn on the surface of the object. ![]()
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